Color correction plays a critical role in post-production. Matching clips captured from multiple cameras, fixing problems that occurred while shooting, and applying artistic color grading to projects are essential for delivering high-quality content that engages audiences.
There’s no doubt that post-production and animation/visual effects (VFX) studios need strong storage performance for a variety of demanding tasks. Facing extremely tight deadlines, your editors, colorists, artists, and other team members need a responsive experience—even as they work with multiple streams of large 4K media files at high frame rates.
This Tuesday marked the third Amazon Prime Day, a self-proclaimed holiday which analysts estimated would equate to $1 billion in sales for Amazon in online retail. Analysts predicted a 55% increase over 2016 results. Amazon outperformed with a 60% increase in sales—the largest shopping day in its history. I’ll admit I participated with the purchase of a new blender, and I can’t wait for it to arrive in Amazon’s promised three-day delivery window.
Video technology is evolving at lightning speed. Now that high definition is ubiquitous, there’s an ever-growing demand for the high picture quality and smooth motion associated with 4K ultra-high-definition (UHD) video formats. An increasing number of production houses have made the switch to 4K workflows—and if your team isn’t already working in 4K, it’s only a matter of time before it’s part of your portfolio.
As companies accelerate their development efforts for self-driving cars and advanced driver assistance systems (ADAS), they are expanding the size of their vehicle test fleets. And with each vehicle generating 2 PB or more of data annually, these companies need a good data management plan to support this large and rapidly growing volume of data.