The days when corporations farmed out all video production projects to outside agencies are coming to an end. As the costs of cameras and production systems fall, and a greater number of employees have the requisite skills for producing professional-quality videos, more and more corporations are building in-house teams. Keeping video production in-house can not only reduce costs, but also enhance agility and maximize control over content.
StorNext-based solutions deliver superior performance for film and video workflows because StorNext is a tunable, parallel file system that works as fast as block-level storage. This is possible because StorNext features native client software for Linux, Mac OS, and Windows workstations. That means there are tunable parameters for the clients and the servers that coordinate simultaneous access to files. Prior to any large-scale testing like this, it is important to set a baseline by verifying that these parameters perform optimally with the latest hardware and networking technologies.
My favorite time of the year is March Madness. As a basketball fan, I can’t help but appreciate the most exciting month of the year when the top Division 1 basketball teams play in a sudden-death style tournament to claim the NCAA national championship. It could be anyone’s last game, and unlike professional sports, college athletes don’t get this time in their lives back, which makes the sweat and tears you see after each game that much more thrilling.
Does your video archive look more like a storage closet you’re afraid to open? Is it nearly filled to capacity with aging video tapes, external hard disk drives, optical media, old networking cables, and an assortment of other equipment? You’re not alone.
Fox Sports announced this week that the 51st Super Bowl “will be more awesome than usual” as it “will mark the first time that some of the on-field Super Bowl action will also be shot using a higher-resolution 8K camera.”
Star Trek turns 50 today; a great reason for Trekkies to revisit the original series and Star Trek: The Next Generation, both of which have been remastered in high-definition.
If you’re one of the many who have taken a “wait and see” attitude to virtual reality (VR) content creation, now may be the time to jump on board. Advocates who say VR won’t go the way of 3D TV were given more reasons to cheer last week — NBC announced it will provide 85 hours of 360° video from the 2016 Olympics in Rio next month.
As much as technology companies would like to believe that they are serving a global market, in reality tech adoption varies widely by region. What happens in London isn’t always what happens in Toronto, much less what happens in Seoul or Mumbai. The adoption of 4K is happening much faster than it did for HD, even though 4K is pulling along other data-intensive technologies: high dynamic range (HDR), high frame rates (HFR) and 10-bit or greater color depth. Now that 4K displays are available worldwide, the question turns to 4K Ultra HD content delivery: by broadcast, by cable, by satellite, or by IP? This challenge is even greater in Asia, where content delivery varies more by locale than in other regions.