From next-generation cameras to multi-camera arrays, new technologies for producing visual content are generating important creative opportunities for production studios, post-production houses, distributors, and other media organizations. The engaging content they are producing has an eager audience. Consumers are readily adopting ultra-high-definition (UHD) televisions, high-resolution mobile devices, and even virtual reality (VR) headsets so they can experience that immersive content.
Rapid advances in laboratory instruments are redefining IT requirements for life science organizations. To more quickly and completely analyze the tremendous volumes of data produced by next-generation sequencing (NGS) and cryo-electron microscopy (cryo-EM) instruments, organizations are increasingly investing in additional super computing resources to crunch the larger data sets these instruments are generating on a daily basis.
Technological change is redefining efficiency in many use cases, from retail to health care, and government to city surveillance. With the availability of new devices that can capture large amounts of data, one particular use case has begun aggregating video content at a rapidly increasing rate — law enforcement. The proliferation of body-worn cameras imposed by government mandates is adding to the many camera streams coming from police car dashboards, interview rooms, and sally ports that provide valuable insight to law enforcement agencies.
If you’re one of the many who have taken a “wait and see” attitude to virtual reality (VR) content creation, now may be the time to jump on board. Advocates who say VR won’t go the way of 3D TV were given more reasons to cheer last week — NBC announced it will provide 85 hours of 360° video from the 2016 Olympics in Rio next month.
The NRF Protect conference is the largest event for loss prevention in North America. This year’s conference held in mid-June brought together hundreds of asset protection and shrink specialists in Philadelphia to discuss the challenges many retail organizations are facing today — from supply chain management, to ransomware threats, to advanced facial analytics.
Every year CRN – the top industry outlet for all things channel – highlights its leading voices with its annual Channel Chiefs issue. CRN poses a number of questions to each luminary, and the result is an interesting mosaic that offers insights to the state of the industry.
The Content and Communications World show at NY’s Jacob Javitts convention center next week has grown since the early days when SATCON was held at the Hilton. The event now boasts of 7000 attendees and the number of exhibitors have tripled to 300 in the past 10 years.
Whether it’s adding search and edit capabilities for captions and subtitles, enhancing chat and messaging modules, or publishing directly to Facebook and Twitter, Quantum partner Dalet is continuously working to streamline the content creation process with their media asset management (MAM) solutions. Quantum StorNext is tightly integrated with Dalet MAM solutions to further streamline workflows by seamlessly and automatically moving assets between disk, tape, object storage and cloud resources. Today, we’re sharing what’s new with Dalet and what they’ll be showing at IBC.
Another year, another new format – or ten! Broadcasters are now surrounded by a sea of formats. Everything from HD-SDI, streaming formats, 4K/UHD and last but by no means least the many variants of IP based transport mechanisms like J2K or SMPTE 2022. It’s an increasing challenge for the industry to handle the mixture of all these sources especially when distributing content to the many output channels a broadcaster needs to address on a daily basis. Adding custom graphics and branding to the video forces us to have multiple versions of the same clip, eating up storage space and increasing the need for video management. Meanwhile broadcasters are often still stuck having specialised devices for singular tasks - video server for video, graphics servers, audio systems and vision mixers to name just a few. This isn’t anything new but a solution is urgently needed as we’re seeing these new formats arrive constantly. As we gear up for IBC 2015, let's take a look at these basic concepts and the understanding of how an efficient broadcaster should ideally operate, and dive into the creation of a new video, graphics and audio workflow centered on Viz Engine as a powerful video playback system.
It’s no secret that the stakes are high in sports broadcast. As Quantum’s Skip Levens said, there are “no second takes, millions of highly discriminating and knowledgeable customers scrutinizing your every move, and every play has the potential to make history.” There’s a lot of money to be made, but the competition between networks can be as fierce as anything on the road, field, court or diamond. So it’s no surprise that sports production pushes the envelope when it comes to adopting new technology. We’re only halfway through 2015 and we’ve seen some amazing leaps forward this year, in five key areas: Higher Definition Content, Camera Ubiquity, Real-time Data Analysis, In-Stadium Screens, and Live In-Home Experiences.
Media content consists of both essence (the content itself) and its associated metadata. Everybody acknowledges that the metadata is important to classifying and locating content, so media companies tend to put a lot of thought into collecting and managing metadata — what type of information will be collected, where it will be entered and how often, etc. The idea is to ensure consistent, thorough metadata collection so that users can find and remonetize specific pieces of content. Metadata-gathering is a critical part of the metadata management process, to be sure, but it’s only half the process. What people tend to ignore is the other piece of metadata management — ensuring that the metadata is secure and archived. Why do they ignore it? Because media companies tend to focus so much on securing the actual content that they put little if any thought into securing the associated metadata, which is often stored in another database separate from the content itself. Let's look at best practices for protecting your metadata is to ensure that, while you’re backing up your content, you’re also backing up and archiving your metadata database.
Video production is entering yet another major transition – the move to 4K. Much like the move to high definition (HD) several years ago, the new ultra-high definition (UHD) 4K-resolution formats have the potential to disrupt workflows, strain existing infrastructure and require costly unplanned upgrades. Those who remember how bumpy the change from SD to HD was are understandably nervous about what this looming 4K transition will bring. With lessons learned from the past, the industry is ready to make the change from HD to 4K. The technology has evolved, the tools have evolved and workflows have evolved. The challenge, however, is to make sense of all this change and put the right pieces together to enable a successful transition. The following five key tips will help you to make a smooth transition to full 4K production.