In Media & Entertainment, Workflow Storage

Reinventing The Video Server

Another year, another new format – or ten! Broadcasters are now surrounded by a sea of formats. Everything from HD-SDI, streaming formats, 4K/UHD and last but by no means least the many variants of IP based transport mechanisms like J2K or SMPTE 2022. It’s an increasing challenge for the industry to handle the mixture of all these sources especially when distributing content to the many output channels a broadcaster needs to address on a daily basis. Adding custom graphics and branding to the video forces us to have multiple versions of the same clip, eating up storage space and increasing the need for video management. Meanwhile broadcasters are often still stuck having specialised devices for singular tasks - video server for video, graphics servers, audio systems and vision mixers to name just a few. This isn’t anything new but a solution is urgently needed as we’re seeing these new formats arrive constantly. As we gear up for IBC 2015, let's take a look at these basic concepts and the understanding of how an efficient broadcaster should ideally operate, and dive into the creation of a new video, graphics and audio workflow centered on Viz Engine as a powerful video playback system.
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In Government, Scale-out Storage

Drive Time on the Beltway – Talking Body Worn Video

Almost daily there is a story about the demand for body worn video devices to be used by law enforcement agencies across the globe. There is also a lot of discussion about the Federal funding available to US police departments for this new camera technology – in May this year the Justice Department announced $20 million in grants, towards the $75 million the Obama administration requested over three years. What this funding doesn’t cover - and the biggest challenge faced by agencies in implementation - is how to build out a storage infrastructure to manage and protect the vast amount of data these devices produce. This challenge is compounded by new devices that support higher resolutions and are used by increasing numbers of officers per department. There is a solution, which if implemented can help departments across the globe speed up the adoption of this technology and valuable tool. Quantum's Wayne Arvidson, Vice President of Surveillance Solutions, recently sat down with Tom Temin on his “Federal Drive” program for Federal News Radio to discuss how to solve the challenges of body worn devices.
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In Archive Storage, Data Protection, VM Backup & Archive

VMworld, Veeam, and Kicking The Cartel

Storing data is easy (well, not that easy). But turning it into meaningful business value requires technology partners that know how to integrate well and create something bigger. Customers want products that can create a real solution to a real problem. That’s the Quantum approach and that’s why we’re so excited for this year’s VMworld. We’re “Kicking the Cartel” and helping companies break free from traditional, old school ways of storing and protecting data. If it’s time for your organization to break free from paying $2,500 per TB for backup software, stop by the Quantum booth at VMworld. We’ll show you how to create a different approach to storage that centers on the highest performance and the lowest TCO. We’ll be showcasing all of our technology at VMworld too, including our QXS hybrid storage for VM primary storage and our Artico NAS appliance for archiving. Sign up to meet with the Quantum Storage Experts at the show and you could win an Apple Watch too.
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In Media & Entertainment, Workflow Storage

5 Ways Sports Stays Ahead of the Game in Content Production

It’s no secret that the stakes are high in sports broadcast. As Quantum’s Skip Levens said, there are “no second takes, millions of highly discriminating and knowledgeable customers scrutinizing your every move, and every play has the potential to make history.” There’s a lot of money to be made, but the competition between networks can be as fierce as anything on the road, field, court or diamond. So it’s no surprise that sports production pushes the envelope when it comes to adopting new technology. We’re only halfway through 2015 and we’ve seen some amazing leaps forward this year, in five key areas: Higher Definition Content, Camera Ubiquity, Real-time Data Analysis, In-Stadium Screens, and Live In-Home Experiences.
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In Archive Storage, Data Protection

Think “Data Management,” Not Just “Data Protection”

Today, everyone seems to understand the ever-growing importance of data protection, often viewing it as a superset of backup combined with snapshots and replication. Typically, a conversation about data protection includes the assumption of a “gold standard” centered on using secondary disk for rapid recovery and tertiary tape for long term retention. Of course, “the cloud” also is always a consideration as part of the next generation of the solution. It’s still all under the banner of “data protection” (DP), the collection of activities, methods, and media used to help recover or restore business information after a crisis or other IT disruption. According to research, primary storage is growing around 40% annually, with secondary storage used for data protection growing at similar rates. Budgets aren’t growing nearly that much. Meanwhile, IT organizations are being asked to do more (i.e., inject more agility, functionality, and resiliency into their operations) while spending as little budget money as possible. In actuality, data protection budgets are growing around 4.6% annually according to ESG research, but that level of increase won’t even let you keep doing what you have been doing at a larger scale.Therefore, you have to do something different. What you should do: ARCHIVE!
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In Media & Entertainment, Scale-out Storage, Workflow Storage

From the Dalet Academy: Shared Storage Workflows, PT.2

Video editing has always placed higher demands on storage than any other file-based applications, and with today’s higher resolution formats, streaming video content demands even more performance from storage systems, with 4K raw requiring 1210 MB/sec per stream—7.3 times more throughput than raw HD. In the early days of non-linear editing, this level of performance could only be achieved with direct attached storage (DAS). As technology progressed, we were able to add shared collaboration even with many HD streams. Unfortunately, with the extreme demands of 4K and beyond, many workflows are resorting to DAS again, despite its drawbacks. With DAS, sharing large media files between editors and moving the content through the workflow means copying the files across the network or on reusable media such as individual USB and Thunderbolt-attached hard drives. That’s not only expensive because it duplicates the storage capacity required; it also diminishes user productivity and can break version control protocols. In this blog, we'll look the key differences between major storage technologies and well as general usage recommendations.
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In Media & Entertainment, Scale-out Storage, Workflow Storage

Securing and Archiving: The Overlooked Part of Metadata Management

Media content consists of both essence (the content itself) and its associated metadata. Everybody acknowledges that the metadata is important to classifying and locating content, so media companies tend to put a lot of thought into collecting and managing metadata — what type of information will be collected, where it will be entered and how often, etc. The idea is to ensure consistent, thorough metadata collection so that users can find and remonetize specific pieces of content. Metadata-gathering is a critical part of the metadata management process, to be sure, but it’s only half the process. What people tend to ignore is the other piece of metadata management — ensuring that the metadata is secure and archived. Why do they ignore it? Because media companies tend to focus so much on securing the actual content that they put little if any thought into securing the associated metadata, which is often stored in another database separate from the content itself. Let's look at best practices for protecting your metadata is to ensure that, while you’re backing up your content, you’re also backing up and archiving your metadata database.
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In Archive Storage, Government, Scale-out Storage

Storage as the Foundation of Body Camera Programs

If you were building a police department from the ground up, where would you begin? Where do you go to stock up on holsters, handcuffs, badges, flashlights, guns, dispatch centers, in-car computers, police cars and the myriad other gear required by modern law enforcement? A good place to start is the Police Security Expo, held this year in Atlantic City. It’s like a superstore for police. And Quantum was there, because police departments increasingly need to include storage on their shopping list. This was my chance to check out the latest on-body cameras that have been in the news so much lately. Think of something about the size of a GoPro, but even more heavy duty, and sophisticated enough to actually begin recording 10 seconds before you press Record. The vendors selling these cameras typically had a good crowd of officers being educated on what it’s like to live with them on a daily basis, and the question of storage always came up. It’s a good thing, because law enforcement agencies are routinely generating over 1PB of data a year.
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In Media & Entertainment, Scale-out Storage, Workflow Storage

From the Dalet Academy: Shared Storage for Media Workflows, PT.1

The first time I edited any media, I did it with a razor and some sticky tape. It wasn’t a complicated edit – I was stitching together audio recordings of two movements of a Mozart piano concerto. It also wasn’t that long ago and I confess that every subsequent occasion I used a DAW (Digital Audio Workstation). I’m guessing that there aren’t many (or possibly any) readers of this blog that remember splicing video tape together (that died off with helical-scan) but there are probably a fair few who have, in the past, performed a linear edit with two or more tape machines and a switcher. Today, however, most media operations (even down to media consumption) are non-linear; this presents some interesting challenges when storing, and possibly more importantly, recalling media. To understand why this is so challenging, we first need to think about the elements of the media itself and then the way in which these elements are accessed.
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In Media & Entertainment, Scale-out Storage, Workflow Storage

Beyond Tiered Storage: A New Approach to Workflow Storage

If you’ve worked in storage for decades as I have, you’ve heard all the debates about which storage works best for each step in media workflows. But one thing that’s clear is that not every step has the same storage requirements, and that some kind of tiered storage strategy is needed. With every-expanding digital asset libraries, storing it all on high-performance disk isn’t practical or cost-effective. Traditional tiered storage is straightforward: store the most active, most recently used data on fastest, expensive disk storage, and store the less active, older data on slower, less expensive storage, generally tape or lower cost disk arrays. Hierarchical storage management (HSM) software was built to automate the data migration between tiers, and make file system access transparent regardless of where the data is stored. When the primary storage filled to a capacity watermark, for example, 90% of capacity, the HSM system would find the files that were least recently used and move them to the secondary tape tier until the disk storage had sufficient available capacity. This model of tiered storage was built for business data where the focus was containing costs. Disk storage was expensive, tape was cheap, and older business data was rarely relevant except for an occasional audit. The criteria was simply performance vs cost. But media workflows don’t manage business data. Here are the 3 biggest considerations for developing a new approach to workflow storage.
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In Media & Entertainment, Scale-out Storage, Workflow Storage

Top 5 Tips for Your 4K Transition

Video production is entering yet another major transition – the move to 4K. Much like the move to high definition (HD) several years ago, the new ultra-high definition (UHD) 4K-resolution formats have the potential to disrupt workflows, strain existing infrastructure and require costly unplanned upgrades. Those who remember how bumpy the change from SD to HD was are understandably nervous about what this looming 4K transition will bring. With lessons learned from the past, the industry is ready to make the change from HD to 4K. The technology has evolved, the tools have evolved and workflows have evolved. The challenge, however, is to make sense of all this change and put the right pieces together to enable a successful transition. The following five key tips will help you to make a smooth transition to full 4K production.
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In Media & Entertainment, Scale-out Storage, Workflow Storage

Reasons to Upgrade to StorNext 5: Evolving Beyond the Ad Hoc SAN

Remember those heady days of standing up your first SAN? In those days SAN’s were were small, and likely built up with 2Gb FibreChannel and 250GB hard drives. We found a way to make those small SANs work because we were likely ingesting from camera tape systems - and writing back finished project files to tape as well. It was chaotic – but it worked – and we evolved ever more elaborate file and folder structures to keep track of projects, customers and assets – and a growing shelf of tapes that we hoped were cataloged and tracked correctly. As simple file based workflows gave way to the modern, content-centric workflow model - several key lessons emerge. Here's the biggest lessons and how to understand them so you can "evolve beyond the adhoc SAN."
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In Government, Scale-out Storage

Connecting Dots This Week At GEOINT2015

I’m on my way to Washington, D.C. for the GEOINT 2015 Symposium. I’m looking forward to spending time with customers and GEOINT’ers, along with the rest of the Quantum team. If you’re at the event, drop by Quantum booth #8058 to learn about the latest techniques in geospatial data management. I’m especially excited to attend GEOINT this year because I’ve been selected to give a Lightning Talk at the GEOINT Foreword Pre-Symposium. I will have 5 short minutes to tell a technology story and keep the audience engaged. No pressure. The title of my talk is: “Connecting Dots In Today’s World—Crayons Not Included.” Why focus on “connecting dots?" Well, the goal in GEOINT today is the same as ever: to derive useful intelligence from data. And while innovation is everywhere—in small sats, in 4K video, in sensors, in mobile, and in the analytics and data viz software that enables discovery—all this innovation is creating a ton of data that needs to be managed, analyzed, and connected. So it makes sense to talk about the challenges people face connecting all of these dots. And the bigger challenge they face recognizing which patterns of connected dots are meaningful.
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